The publisher shoehorns a monkey under the door, which gets jemmied from the inside. Oblique strategy - has to be admired. Would be if I weren't a hadron and a quark away from the wire. She - the publisher man - is of an uncertain age and temperament. Sunbeams and carwax on the outside; eels and bolts on the inside. The crinoline creases of her neck twist and vibrate like a quaking jug in a Richter 8 tremor as she arcs over my writing shoulder. 'I have a studio on my back,' she says. 'The studio has guitar boy on theirs, and the boy has a contract on his. We haven't squeezed him dry yet. What we need from you has to come straight from his heart. And the moment is now.'
So I whine and fake and shrug and sigh in different vocal ranges, fold the words into a paper aeroplane (or airplane), seal it with ground glass and cattle hooves, scribble NOT TO BE OPENED TILL I GET THE BUCKS and fly it through the open window of her loitering profitmobile. The monkey revs up and shoots off, leaving her to dilly-dally after it.
Some time has been won.
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